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Julius Jaenzon (8 July 1885 – 17 February 1961) was a Swedish cinematographer, essential in the early Swedish silent cinema. He is most known for his collaborations with directors Victor Sjöström and Mauritz Stiller, particularly in adaptions of novels by Selma Lagerlöf. Especially the accuracy with which he mastered the double exposure, for example in ''The Phantom Carriage'', was much admired at the time.〔Bo Florin (2010), "Victor Sjöström and the Golden Age", Mariah Larsson and Anders Marklund (eds), "Swedish Film: An Introduction and Reader", Lund: Nordic Academic Press, pp. 76-85, p.83.〕 He was portrayed by Carl Magnus Dellow in the 2000 television play ''The Image Makers''. ==Selected filmography== * ''Ocean Breakers'' (1935) * ''Charlotte Löwensköld'' (1930) * ''To the Orient'' (Till österland) (1926) * ''The Ingmar Inheritance'' (Ingmarsarvet) (1925) * ''The Saga of Gosta Berling'' (Gösta Berlings saga) (1924) * ''The Blizzard'' (Gunnar Hedes saga) (1923) * ''Carousel'' (1923) * ''Love's Crucible'' (Vem dömer) (1922) * ''The Phantom Carriage'' (Körkarlen) (1921) * ''A Lover in Pawn'' (Mästerman) (1920) * ''Sir Arne's Treasure'' (Herr Arnes pengar) (1919) * ''Sons of Ingmar'' (Ingmarssönerna) (1919) * ''The Outlaw and His Wife'' (Berg-Ejvind och hans hustru) (1918) * ''A Man There Was'' (Terje Vigen) (1917) * ''The Wings'' (Vingarne) (1916) * ''Kiss of Death'' (Dödskyssen) (1916) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Julius Jaenzon」の詳細全文を読む スポンサード リンク
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